Scott Crowne enjoys a diverse and active career as a pianist, conductor, coach, and teacher. In the realm of opera, he is in high demand as a coach and music director. He is currently the artistic director and principle conductor of Opera Susquehanna in Pennsylvania. In the past he served as principal conductor and music director for the Hub Opera Ensemble and the American Singer’s Opera Project. As a coach, he has worked for such institutions as Bel Canto in Tuscany (Florence). the Mediterranean Opera Studio (Sicily), the Middlebury German for Singers Program, the Bay Area Summer Opera Theater, the University of Miami Festival in Salzburg, the voice department of Towson University, the Aspen Music Festival, and the Brevard Music Center.
He finds great fulfillment as a teacher for young musicians as well. As professor of collaborative piano at the Sunderman Conservatory of Music in Gettysburg, Pennsylvania, he performs with faculty, guests, and students on a regular basis. In addition he serves as the music director for the opera workshop program and frequently the college musical theater productions as well. Off campus he served as music director for the undergraduate opera workshop and taught graduate vocal literature classes at the University of Maryland, College Park. Additionally, he works each summer with high school students for the Washington National Opera’s Family Opera and Opera Institute.
As a pianist, he is praised for his sensitive and supportive collaboration with singers and instrumentalists. He performs in Europe and across the United States many times a year in addition to frequent concerts in the Mid-Atlantic region. Venues include Stern Auditorium at Carnegie Hall, the Leopoldskron in Salzburg, and the Teatro Eschillo in Sicily.
Complimenting his love of performance, he is also an inquisitive researcher. He enjoys searching out unusual and interesting music to enrich the standard recital repertoire. His particular interest is in the music of Herbert Howells (1892-1983), on whom he did his dissertation and just published an edition of art songs for Novello and Co.
He received his BMus summa cum laude at the Catholic University of America where studied piano and composition. He received a teaching assistance-ship to the University of Maryland (DMA, MMus) where he performed in numerous concerts and recitals as a vocal accompanist, chamber musician, continuo artist, and orchestral pianist. He spent three years as a répétiteur with the Maryland Opera Studio, assisting with the preparation and performance of operas and opera scenes. He participated or served as pianist for masterclasses for Jennifer Laramore, Evelyn Lear, Elizabeth Bishop, Marcello Giordani, Jerry Hadley, Steven Blier and Martin Katz. He has worked with conductors such as Matthias Kuntzsch, Christoph Hagel, Asher Fisch, Ken Slowick and Kenneth Merrill. His teachers include Rita Sloan, John Greer, James Litzelman, and Wendy Dengler.
He currently resides in York, Pennsylvania with his wife, dramatic soprano Leah Schenck-Crowne, and his two daughters.
"As an educator, I try to assign repertoire to students which will engage them artistically and personally. In order to do so, the first point of contact is with the text of songs. Too often younger students struggle to see "themselves" or to find commonality with songs with traditional texts which are widely available and encouraged for festival use."— Dr. Alta Boover, Oakland University
“…such an inviting experience with a forward, your introduction, and the way you’ve organized all of the information. A composer and lyricist couldn’t want for more…A great diversity of composers and styles just in this one volume, and great poetry and lyrics.”— Chester Biscardi, Baritone, Vol. 1